Premarital Sex And Promiscuity Theories

Premarital Sex And Promiscuity Theories This essay will be discussing the topic of promiscuity and premarital sex from both Ellistons and Punzos theories. According to Punzo on Premarital sex, it is for two people to have engaged in a sexual contact/intercourse without having the full commitment but on the other hand, promiscuity according to Elliston it is to have sex with many different people without having any commitment. When comparing both, Punzo is seen as the conservative while Elliston is seen as supporting casual sex. Punzos theory is when two people are together having sex they both must be engaged in a deep commitment between the two people. On the other hand, Elliston is arguing that sexual intercourse doesnt require any thoughts or strong consideration with any commitments since it is not that big of a deal. According to Elliston promiscuity is seen as free love, where you can just meet someone and starting to fall in love with them. With this definition, it might be easier for some to understand it, as having freedom. It can also be recognized as having recreational sex, having sex just for fun. When the word fun comes with anything, it will be seen as attractive and easy going. Elliston has created a definition himself that better defined promiscuity. Promiscuity is defined as sex with a series of other adults not directly related through marriage and with no commitments; no promises of affection, sexual exclusivity in future (Elliston 144). Elliston also stated that for those who just want to get others in bed to have sex by lying, exploiting, and deceiving or something close to it are wrong. It is seen as wrong because it breaches the ethical principles that we all learned as a child, which is not to lie. When someone is lying about everything just because they are trying to get someone in bed to have sex with them, it is seen as very unethical. Promiscuity is seen as to the advantage of males and to the disadvantage of females because it is true that males do not have anything to lose while females will lose their virginity and at times their love. It has become exploitive; woman would get social blame but man would get sexual satisfaction. Promiscuity is not actually wrong but it is the double standard that is in places where woman is at a disadvantage in comparison to man. Promiscuity can not be defined as wrong all the time; the charges that it necessarily violates generally accepted a moral principle is false. (E lliston 146). Elliston is saying that the double standard that should be remove but not the promiscuity, since it is always seen as a disadvantage for woman. The female involved might not feel the same as to being cheated or being used for the man to have their sexual satisfaction but it might be the woman who is using the man to satisfy herself. Sex is just a body language in the form of body interaction between the two people that are willing to interact and it leads to pleasure. It also has a deep meaning behind it. According o Elliston, sex is more than thrusts and moans, caresses and sighsà ¢Ã¢â€š ¬Ã‚ ¦just as verbal language has a dimension of meaning beyond phonemes and morphemes, so body language has a significance beyond the intertwining of two bodiesà ¢Ã¢â€š ¬Ã‚ ¦Promiscuity has instrumental value in that it can facilitate the mastery of one kind of body languageà ¢Ã¢â€š ¬Ã‚ ¦sexual body language is learned through sexual interactionà ¢Ã¢â€š ¬Ã‚ ¦experiences enable an individual to develop a repertoire of gestures for communicating desire and affection and of decisive movements that clearly state intentions of love or amusement. People can be moved not only by the things we say but also by the things we do-with them, for them, or to themà ¢Ã¢â€š ¬Ã‚ ¦desire and satisfaction can be communicated not only through verbal exchanges, but also through a lingering look and an appreciative caress. To a shattered ego a physical embrace may express far more reassurance than its verbal counterparts, and a kiss may convey desire more eloquently than pleas or poemsà ¢Ã¢â€š ¬Ã‚ ¦The observance of this etiquette is an acknowledgement of the selfhood of the other. The acquisition of it is one of the opportunities promiscuity provides(Elliston 149). Based on this quote, Elliston is saying sex is a part of body language and the more you practice it the better you will get. The skills that you get from promiscuity will wider range of people outside of marriage or committed-relationships. Usually a married couple would be seen as only one man is allow to have dinner with one woman, which is referring to only having sex with the partner and that is it, third party is not acceptable (traditionally). Elliston sees having sex with one person at first before you decide to love that person or not. Pretty much he i s saying having sex first will be a pre-stage of trying out whether the persons sexual skill or chemistry from sexual intercourse will help you decide to love this person or not. Therefore Elliston is arguing that promiscuity should be allow and should not be seen as wrong because it is something for the two to try out and see if the chemistry is there. In Punzos view, sex before marriage or even having sex with no commitment is seen as wrong. Punzo has answered the question of is having pre-martial sex without any commitment wrong, with using Wilsons theory of sexual intercourse to compare it with playing tennis and Chessers theory of two people going to see movies together. Both Wilson and Chesser see it normal and there is nothing morally wrong about having pre-marital sex. At the same time, Punzo has disagreed with both of them stating that going to the movies or playing tennis with many people are just some general activities which anyone can encounter, but it does not necessary have to be the one you would have sex with, or have any sexual interest with. In Punzos view, sexual intercourse must be between two committed people, so having sex without any sort of commitment is wrong. Punzo states that commitment is a must before sex, as one must agree to commit to a relationship before they can move on to a new level in their rela tionship, through having sex, the two gives themselves to each other in the way of trust, expressing ones mind, and feelings through the most intimate activity, sexual intercourse. Punzo see Ellistons argument between sex and dinning is a wrong example because dinning and sex are two different things, it is in an extreme that it has nothing to do with each other, dinning and sex has no connection at all. Dinning can be with any friends, or family members, and it does not involve any sexual contacts. Yes, dinning can be with your spouse, partner but it can also be with someone else. Both eating and sex do give people satisfaction, but they are totally different from each other. Food is a need for people to survive but people can live with out sex. Ellistons theory is to have sexual intercourse with as many people as you can before falling in love, but Punzos theory is to be in love or have the necessary commitment before having sexual intercourse. The moral perspectives of both are totally different from each other. This is why Punzo would not agree with Elliston and vice versa. Ellistons argument has a defect to it, it is having sex with a number of people does not only increase the skills of ones sexual ability, but it also limits the important value of having the most intimate relationship with the other through sexual intercourse. I believe we all know that having sex with the one we love is the most loving and special feeling of being complete as a whole. If one is engaged in a sexual activity with many other people and then stated that the one is now in love with their partner is not a rational theory, but it is also very confusing and unreasonable that promiscuity does not damage a committed relationship. Having sex without any commitment, and isolate oneself with uncommitted sex is a view that may not be true. They can have sex without any commitment but they might realize more about themselves. It doesnt mean they are isolating themselves just because they do not involve in a committed relationship. Punzos full commitment does not have a clear defi nition, does it mean to be in a legal marriage with legal documents, and so if the two are just common-law couple then does that mean they are not legal? Punzo should have clear that term and have a better explanation of it. With the mutual understanding and respects towards each other with pre-martial sex, it is not going to affect the two negatively. It would not be harm if pre-martial sex will lead the two into commitment and onto future commitment, it would become a good thing. If pre-martial sex is happening then protection is needed to prevent any unexpected or unwanted pregnancy. In conclusion, both Punzo and Elliston has their pros and cons. Premarital sex should follow Punzos theory of sex, and they must involve commitment, but not with full commitment. Punzo did not clarify what full commitment means, if it meant at the stage of being legally married, then those who are only engaged or soon to be marry couples should not be having any sexual interactions. Also promiscuity must be permitted only if no one is being hurt and lie to as a result of promiscuity. It is true that Ellistons argument of double standard needs to be remove because it is only seen as woman being the one that are at a disadvantage, but sometimes it is not the case, woman would be out to lie to man just to get money or any material that need from the man. Therefore double standard should be remove but not promiscuity. Also promiscuity is a good way to practice ones sexual skills and ability in the bed, it is true to the term practice makes prefect, it would suit this practice of promisc uity closely.

Lady Macbeth, an honoured hostess and a fiend-like Queen Essay

The audience witness a total transformation of Lady Macbeth from a powerful, scheming woman to a sad and lonely wretch. By the end of this tragedy she has nothing to live for, is riddled with guilt and has lost all sanity. At the opening of the play the audience see how fervent her hunger for power and status is when she summons evil spirits; â€Å"Fill me from the crown to the toe top-full of the direst cruelty;† (Act One, Scene 5, lines 40-41). This statement displays Lady Macbeth’s character deeply nefarious, it would perturb the superstitions of the Christian spectators. The audience might also perceive her to be disturbed as in that same soliloquy she asks the spirits to, â€Å"Make thick my blood,† At the time that the play was written thick blood was associated with illness and derangement. It would have been most horrific for the audience to listen to the character persisting that she did not want to be womanly, especially for someone of her status is society. Pronouncing that she wished to be unsexed and that she wanted the spirits to â€Å"Come to my woman’s breasts, and take my milk for gall,† would outrage their perfervid Christian views as women were supposed to be maternal and loving whereas she uses the oxymoron to intensify her wish to become corrupt and inhuman. Immediately after she calls the spirits, Shakespeare returns Macbeth to the stage, scheduling his wife the ideal time to discuss her plan. Lady Macbeth begins to instruct him as she says, â€Å"Look like th’ innocent flower, but be the serpent under’t.† She uses this metaphor to reassure her husband and make known to him that others won’t realise he’d be doing anything wrong but at the same time urging him to commit the deed,ergo underlining the way in which it is her evil inventions which will destroy Duncan. The Shakespearean audience would be very disturbed to witness such wicked schemes emanating from a female character; women were particularly governed by society’s expectations and considered to be the fairer, gentler sex, leaving political machinations to their male counterparts. Along with manipulating Macbeth into executing all of her schemes, she also is competent to cover up after him when he is vulnerable to suspicion. Without her help and guidance, Macbeth would have not been able to consummate his feats. After Macbeth’s first act in which he commits regicide by killing his dear king Duncan, he is incapable of coming to terms with his actions and returning with the weapons to Duncan’s chamber. His ever-dutiful wife finishes the task. â€Å"Give me the daggers. The sleeping and the dead are but pictures.† Her control here reveals her power and determination. We see her draw a veil over Macbeth’s behaviour again after he has taken King Duncan’s life as Macbeth makes the mistake of killing the guards, when he knows that as a soldier himself he should interrogate suspects. After Macduff attempts to question Macbeth on his reasons, Lady Macbeth faints (Act 2 Scene 3 line 112). This shows her ability to extemporise when the situation requires it. Indeed there are several occasions when Lady Macbeth steps in to avoid her husband being put under suspicion. Her role in the banquet scene after Macbeth sees Banquo’s ghost has a reason. Macbeth shows signs of weakening before the spirit of Banquo. However, Lady Macbeth shows her authority over the proceedings. She instructs all but herself and Macbeth in Act 3 Scene 4 lines 118-9 to â€Å"Stand not upon the order of your going. But go at once,† thus managing to clear their estate of all the guests who had been visiting, which would have been a difficult feat especially for a woman yet her determination impels her capable. We sporadically notice that she is not such a nefarious character, as she would like to believe. An example of her vulnerability is when she needs a drink to give her courage in order to go through with the plan for the murder of Duncan, â€Å"That which hath made them drunk hath made me bold.† If she were truly a ‘fiend’ she would feel nothing. Similarly, when she is anxious and awaiting Macbeth’s return she utters that, â€Å"Had he not resembled my father as he slept, I had done’t.† Had she been entirely evil she would have distanced herself more and be unable to draw comparisons. The decisive moment however for Lady Macbeth is when she detects that she is no longer needed. Act 3 Scene 3 lines 6-7 describe this further when she asks Macbeth, â€Å"What’s to be done?† and he proves to her that he is no longer the mere student but the master as he replies, â€Å"Be the innocent of the knowledge, dearest chuck, till thou applaud the deed.† Macbeth’s use of ‘dearest chuck’ would have been supposed to be playful however in this context would have aggravated his wife and spurred on the doubts that would have been forming in her mind. The quotation is also analogous to what Lady Macbeth had said to him in Act 1 Scene 5 about looking innocent, thus extra proof of his imitation of his wife’s influence. Lady Macbeth’s return to the action in Act 5, scene 1 is dramatic in its irony. She is a mere shadow of her former self, unable to sleep and riddled with guilt she re-enacts the role she played in Duncan’s murder, and in so doing betrays her guilt to her waiting woman and, of course, the audience. The constant washing of her hands and utterances â€Å"Out damned spot†¦ Who’d have thought the old man to have so much blood†¦Ã¢â‚¬  serve to expose her crimes, her sentiments in Act Two â€Å"A little water cleans me of this deed† are shockingly highlighted in the closing Act with poignant irony. Delirious and disturbing outbursts: â€Å"Here’s the smell of blood still; all the perfumes of Arabia will not sweeten this hand. Oh, oh, oh!† (Line 44-6) and her use of metaphor amplifies her acute mental torture and pain, she is a woman so construed by guilt that she loses all sanity. Lady Macbeth’s downfall, like her husband’s, is a tragic one as she ultimately dies from her terrible crime. Like Macbeth, Lady Macbeth enjoyed reputation and status as the wife of the greatest Scottish warrior, much loved and honoured by king and county. However, she is as much Macbeth, guilty of ‘vaulting ambition’ and when she succumbs to that fatal flaw she can no longer function. Indeed, so consumed by guilt, Lady Macbeth commits suicide knowing that her crimes have involved interfering with the divine right of kings. Interestingly, however, the audience see many times throughout this drama when Lady Macbeth is not so cold as she is made out to be. We know that she is not a ‘fiend’ as we see on numerous occasions her inability to carry out acts herself, act 2 Scene 2, line 13-4, â€Å"Had he not resembled my father as he slept. I had done’t.† She is unable to distance herself from the stunt and even helping to carry out the act she finds difficult as she needs help to bring the courage she needs: â€Å"That which hath made them drunk hath made me bold;† illuminating further how she has some empathy for Duncan. The audience see just how terrible an effect all the events since the witches first met Macbeth have had on her mental state as they hear how she has taken her own life in Act 5 scene 5 from Malcolm. To conclude, it is clear that Lady Macbeth begins her role as ‘honoured’; she certainly enjoys the wifely role of Scotland’s hero. However, through greed and ambition, she forfeits her reputation and status. Certainly her actions are ‘fiend-like’ but she does betray some small shreds of conscience and is therefore well aware of her choices. A totally fiendish character would not experience guilt, but Lady Macbeth goes insane simply because she knows she has been immoral and sinful. Lady Macbeth, â€Å"an honoured hostess† and â€Å"a fiend-like Queen†.

Domestic Violence And A Social Health Problem Essay

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Charlotte Brontes Jane Eyre and Charles Dickens Great...

Charlotte Brontes Jane Eyre and Charles DickensGreat Expectations Both Jane Eyre, by Charlotte Brontà «, and Great Expectations, written by Charles Dickens, have many Victorian similarities. Both novels are influenced by the same three elements. The first is the gothic novel, which instilled mystery, suspense, and horror into the work. The second is the romantic poets, which gave the literature liberty, individualism, and nature. The third is the Byronic hero, which consists of the outcast or rebel who is proud and melancholy and seeks a purer life. The results when all three combined are works of literature like Jane Eyre and Great Expectations. BOTH NOVELS CONVEY THE SAME VICTORIAN IDEOLOGIES COMMON FOR THE TIME PERIOD IN, WHICH†¦show more content†¦In both novels the characters encounter social and gender mobility and each character attends to the notion differently. In Great Expectations, much of Mr. And Mrs. Joe Gargery’s experiences of a class above theirs must be achieved vicariously, namely through Pip as he goes back and f or the to Miss Havisham’s: If a dread of not being understood be hidden in the breasts of other young people to anything like the extent of which it used to be hidden in mine†¦ it is the key to many reservations. I felt convinced that if I described Miss Havisham’s as my eyes had seen it, I should not be understood. Not only that, but I felt convinced that Miss Havisham, too, would not be understood; and although she was perfectly incomprehensible to me, I entertained an impression that there would be something coarse and treacherous in my dragging her as she really was (to say nothing of Miss Estella) before the contemplation of Mrs. Joe (Dickens, 60). However, in Bronte’s Jane Eyre, no such previous dependence on indirect experience between Jane and Rochester occur, until Rochester’s injury, which cripples is hand and blinds him. The fire in which Rochester received his injuries, however, cleansed him of his previous wife, the unethical money he lived on, and the dominating position he held Jane under. A good quote that demonstrates the idea of social and gender mobility in Jane Eyre is the following:Show MoreRelated The Power of Great Expectations and Jane Eyre Essay example2110 Words   |  9 PagesPower of Great Expectations and Jane Eyre      Ã‚  Ã‚   Many novels have been written in many different eras. Each era has its `reform novel or piece of literature, or pieces of work that broke the mold. For the Greeks, it was Homers Odyssey; for the Renaissance, it was The Essays: Of Cannibals by Michel de Montaigne; for the Medieval era, it was Dante Alighieris Inferno. It was the same in the Victorian era, which ran from 1850 to about 1900. The reform authors were Charlotte Brontà « andRead MoreJane Eyre vs. Great Expectatio1869 Words   |  8 PagesBoth Jane Eyre, by Charlotte Brontà «, and Great Expectations, written by Charles Dickens, have many Victorian similarities. Both novels are influenced by the same three elements. The first is the gothic novel, which instilled mystery, suspense, and horror into the work. The second is the romantic poets, which gave the literature liberty, individualism, and nature. The third is the Byronic hero, which consists of the outcast or rebel who is proud and melancholy and seeks a purer life. The resultsRead MoreThe Colonial Implications in Jane Eyre and Great Expectations3008 Words   |  13 Pagesclaims of Spivak be applied to Charles Dickens Great Expectations and Charlotte Brontes Jane Eyre and to what extent do these novelists draw from the colonial discourse in their representation of the `non- Western world? The Victorian novel has performed an important service in Eurocentric epistemologies and colonial ideologies in formulating the colonial discourse and establishing the alterity of `self and the `Other. Both Great Expectations and Jane Eyre, like most novels produced in theRead MoreVictorian Novel9605 Words   |  39 Pagesdates frame the period of Victorian literature, it is commonly accepted that it was the reign of Queen Victoria (1837-1901) that saw the novel emerge and flourish, all the more that the 1937 was the year when Dickens’ Oliver Twist, the first major work of fiction. The first readers of both, Dickens and Eliot were not conscious they lived in the ‘Victorian period’. They thought that this was a modern era marked with turbulent transition. However, the most crucial writers of the period grew up in the earlier